The Mixing of Quiet Scream - Part 1 - Track Layout and Groups This is the not so glamorous, but very important part of mixing. Getting your tracks organized, and setting up your groups/busses, and folders. Part 1 in a series of mixing the song "Quiet Scream" from the Conversation CD by Greg Adams & […]

This video shows just one way that you can use a couple of delays, instead of reverb, for the main vocal effects when mixing. For this song, I used a short diffuse delay to create a subtle ambient effect throughout the song. Then I used a longer echo that is brought up and down with […]

Maybe I'm just getting old and cranky, but I joined a few FB groups a while back, thinking that maybe I can share some of my knowledge with young aspiring producers/engineers. Unfortunately, it seems that a large number of questions asked by "newbies" is "What's the best _____?". Here are some actual questions posted: Yo […]

So, you've got the latest and greatest DAW, a high end notebook or desktop computer, every plugin you could lay your hands on, some cool looking "studio" monitors and headphones, and you watched every episode of Pensado's Place, but your home studio mixes still suck compared to the pros? What could you possibly be doing […]

Submit your best song for a chance at a FREE Mix! Starting in April 2016, I'm taking song submissions for a chance to get your song mixed for free, along with some online promotion. Roughly once every other month (schedule permitting), I'll pick one song from all the current submissions through my mixing site, and […]

Hi, please see link I have placed and let me know that how can I edit my voice as dual voice. What we call this function. Just help and rest I will practice thru different software. I removed the links from this question, but the vocal effects were basic voice doubling effects that can be […]

For a long time, I stuck with hardware reverb when mixing, because I just didn't feel like there were any plugin reverbs that could come close to sound of dedicated hardware, such as my Kurzweil KSP-8. Eventually we got some pretty decent software reverbs, with my early favorites being the UAD EMT 140, followed later […]

A common thing to talk about among aspiring recording/mixing engineers is how well they can hear. There often seems to be a bit of a contest to see who can hear the highest frequency, as if somehow being able to hear higher frequencies makes you a better recording or mixing engineer. I avoid these types […]

Sometimes you want to make a vocal sound wider, thicker, and fatter, but without excessive reverb or delays. Here are a few of my favorite methods for vocal widening. Back when I worked at the big studio, we had a couple of Eventide H910 processors, and also an Eventide H3000.  This is how I learned […]

Loudness tricks of the brain! By now you should know all about the Loudness War, and how our ears & brain are easily fooled into thinking Louder is Better. If you are an experienced recording or mixing engineer, you are probably well aware of this phenomenon, and have figured out your own methods of compensating […]